Title: DIGITALISATION OF MEDIA CULTURE IN INDIA AT 75
Time: 10am (UK)/2:30pm (India)
Event Brief
Digitalization of media culture in India by now is old news. By 2022, production processes of marquee media in India have shifted to digital, automatized, and often portable formats, some enabling the arrival of what Axel Bruns has termed as a ‘produser’, while media consumption has digitalized into the small screens of smartphones, enabling new affordances through apps etc. As digitalization continues to develop, it has produced its own past, histories, and futures. While the urgency of some of the older discussions have vanished (such as what is this new technology and whom is it for), new issues such as the ongoing emergence of ever newer or remediated technology, platforms, phenomena, and individual and collective needs are pressing to be understood better.
Occasioned by the 75th anniversary of India’s independence, the Symbiosis Centre for Media and Communication, Pune and Birmingham City University, UK, is organizing a week of events and discussions around the theme of The Changing Landscape of Indian Media from 2nd to 6th of May, 2022. As part of this event, we are glad to organize a panel of eminent academic experts on the theme of digitalization of media culture in India at 75.
Through this panel, we want to shift the discussion about digitalization of media culture in India from being about an emerging process to being about a relatively stable state, with its own past, history, and possible futures. We also invite an engagement with the historicity of the concepts through which we have understood and continue to understand digitalization in India. Through this panel, we would like to provoke discussions about matters like a) periodization of Indian digital media culture, b) obsolescence and emergence in contemporary Indian digital media culture, etc. With a keen eye on the contemporary state of digitalization of media culture in India, we would like to debate what new questions we might need to ask in order the grasp the dynamism of the changing landscape of digital media culture in India and its user communities around the world.
With this broad aim in mind, we have put together a panel of academic experts from the fields of cinema studies, audio and music studies, news and broadcasting, media business, etc. By initiating a multidisciplinary discussion about various sectors of Indian media, we want to renew the urgency of understanding the flux of change that contemporary Indian digital media culture represents.
Title: CENTENARY LEGACIES OF HRISHIKESH MUKHERJEE
Event Brief
The year 2022 is the birth centenary of Hrishikesh Mukherjee, the legendary director of films like Anand, Abhiman, and Namak Haram. To remember and celebrate his cinematic legacy we have collaborated with the National Film Archive of India to organize a non-commercial online retrospective of Mukherjee’s films. The films will be made available to registered participants through private links that will remain open for watching from 2nd May to 6th May. The retrospective will lead to a talk (and Q&A) by the eminent film scholar Prof. Gayatri Chatterjee on Mukherjee’s oeuvre.
Title: TALK ON HRISHIKESH MUKHERJEE BY GAYATRI CHATTERJEE
Time: 10:30am (UK)/3:00pm (India)
Event Brief
Title: TRACING THE JOURNEY OF INDIAN CINEMA
Time: 112:30pm (UK)/5:00pm (India)
Event Brief
Title: MEDIA CULTURE AND DIGITAL TRANSFORMATIONS IN INDIA AT 75
Time: 12pm (UK)/4:30pm (India)
Event Brief
With nearly 1.4 billion people residing within its territory, with the world’s largest diaspora at 18 million (United Nations), and the fastest growing market in the global digital economy, India is poised to take over global media and communication; not only in driving content creation and With nearly 1.4 billion people residing within its territory, with the world’s largest diaspora at 18 million (United Nations), and the fastest growing market in the global digital economy, India is poised to take over global media and communication; not only in driving content creation and consumption but also through strategies of content generation and associated profit-making practices worldwide
Digitalisation has seeped into nearly every aspect of global society and India is already among the biggest influencers of global media culture. According to the 2022 report by Ernst & Young and FICCI on the Indian Media and Entertainment (M&E) Sector, “99% of Indian pin codes generate viewership for Amazon Prime; 25 Indian titles featured in the top 10 lists of countries outside India; at 57%, Animation and VFX was the fastest growing M&E segment in 2021 India; there were 503 million smartphone users in India with Indians downloading 26.7 billion apps in 2021; and online news audience grew to 467 million in 2021 at 50% of all internet subscriptions in India.”
The 21st century data-driven media economy can be viewed as fragmented and diverse. With technological adoption on the rise due to cheaper rates for Internet connectivity, India’s billion-plus population is making its voice heard through the content it consumes and prefers. This includes trends such as the rise of regional content in Indian media culture and an increased democratisation of audience accessibility for content creators. In the Indian film industry, regional content is overshadowing classic and Hindi-centric ‘Bollywood’ cinema; and independent filmmakers no longer have to worry about the allegedly-nepotistic machinations of Bollywood gatekeepers, with streaming platforms providing a revenue-generating opportunity like never before. Even as newsrooms juggle the web-first strategy with fake news from information pushers, digital transformations of media culture in India means a meme takes a moment to be viral, and the irate Indian can willingly and with great influence drop the star rating of the most recent app on Google Play Store.
As we commemorate 75 years of India’s independence from its colonised history of international trade under the British, the centre-periphery model is going through a global and digital transformation. At 75, India has already become one of the biggest players in 21st century politico digital economy. As the fastest growing market in global media and communication, a momentary pause is perhaps required to take stock of the ephemeral terrain that is digital media culture in India. The Changing Landscape of Indian Media event’s industry panel discussion seeks perspectives from industry professionals in news, film, television, development communication, media education, and AVGC (animation, visual effects, gaming and comic) towards an enhanced understanding of Media Culture and Digital Transformations in India at 75.